'God has given you one face, and yet you make yourself another' Shakespeare. Never conform to the status Quo. This blog is inspired by knowledge of the old world and truth. Email:

This is what I like to call Afrofuturism.
Zulu man with his Shield playing A electric piano.
Induku Enhle-Bucie ft Demor Sikhosana

This is what I like to call Afrofuturism.

Zulu man with his Shield playing A electric piano.

Induku Enhle-Bucie ft Demor Sikhosana



by Kareem Reid (westindians)

“Afrofuturism” might sound like an impenetrable theoretical art term but simply put, it involves the act of re-imagination, reclamation of black identity – a rejection and subversion of debilitating stereotypes, an expression of the infinite ways of interpreting the past, present & future, demonstrating the cosmopolitan reality of the black experience.  

Visually, this usually takes the form of adopting influences from a distant, mythologized African past and ideas of the future (for example, references to outer space or extraterrestrial life) to create something distinctly modern or futuristic. “Afrofuturism” is a way of understanding and creating art that is ultimately about challenging pre-existing modes of perception.

Some great articles / blogs on Afrofuturism:

The Aesthetics of Afro-futurism




(via diasporicroots)

BBC documentary: Sun Ra, Brother From Another Planet

Sun Ra was born on the planet Saturn some time ago. The best accounts agree that he emerged on Earth as Herman Blount, born in Birmingham, Alabama in 1914, although Sun Ra himself always denied that Blount was his surname. He returned to Saturn in 1993 after creating a stunningly variegated and beautiful assemblage of earthly and interplanetary music, most notably with his fervently loyal Arkestra.

Sun Ra and his Arkestra were the subject of a few documentary films, notably Robert Mugge’s ’A Joyful Noise’ (1980), which interspersed performances and rehearsals with Sun Ra’s commentary on various subjects ranging from today’s youth to his own place in the cosmos. 

Today’s documentary, Don Letts’ ‘Sun Ra, Brother From Another Planet’  from 2005, reuses some of Mugge’s material and includes some additional interviews.


A scene from Sun Ra’s 1974 film, Space is the Place.

“How do you know I’m real? I’m not real, I’m just like you. You don’t exist in this society. If you did, your people wouldn’t be seeking equal rights. You’re not real. If you were, you’d have some status among the nations of the world. So we’re both myths. I do not come to you as a reality, I come to you as the myth, because that’s what’s black people are: myths.”

you can see the full film here.

This is soo deep, they took Africans, forced the majority of them to forget their Language (Language is the DNA of a Culture, if you want to debate that just ask any trained anthropologist), forced them to disregard their culture, spirituality and even their Ethnicity (Which is very important in the motherland).  Thusly they adopted the type cast of being ‘Black' (which doesn't actually mean much as it doesn't connect them to a Culture a geographical land or history. As it is just social conditioning). Becoming myth

(via occipitaloccult)


Shadow9drummer West London Performance, Shows his Amazing skills over U.K Dubstep/Grime Music. The Transformers Freestyle!

Much love to this brother right here I see big things in the future.

(via shadow9drummer-deactivated20140)


Jean-Michel Basquiat: The Radiant Child part 1.

Directed by Tamra Davis, the documentary features footage of Jean-Michel Basquiat painting, talking about his art and existing in the two years prior to his death in 1988.

Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while minimalist, conceptual art was the fad; as a successful black artist, he was constantly confronted by racism and misconceptions. Much can be gleaned from insider interviews and archival footage, but it is Basquiat’s own words and work that powerfully convey the mystique and allure of both the artist and the man.

This was a very deep, inspirational and sad Biopic of Jean-Michel life’s.

(via diasporicroots)

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